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    • SEASON 10 | OCTOBER 2023
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The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • AT THE CENTRE
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS
  • SO Academy
    • ABOUT
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 - 2025)
    • IN CONVERSATION ARCHIVE (2017 – 2024)
    • HOW | Showing the Making (2022 - 2024)
    • THE OPEN MOMENT
    • DR JAMES BARRY WORKSHOPS (2024)
    • THE HEAD & THE LOAD | ACTIVATIONS (2023)
    • MOTLHANA KALANA INCUBATOR (2023)
    • A GATHERING IN A BETTER WORLD (2023)
    • The Centre of Somewhere (2022 - 2023)
    • 2ndary REVISIONS (2022)
    • WOVEN WITH BROWN THREAD (2021)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Season Archive
    • SEASON 10 | OCTOBER 2023
    • SEASON 09 | October 2022
    • SEASON 08 | October 2021
    • Season 07 | April 2020 / September 2021
    • Season 06 | October 2019
    • Season 05 | April 2019
    • Season 04 | October 2018
    • Season 03 | April 2018
    • Season 02 | October 2017
    • Season 01 | March 2017
  • Tickets
  • SO | ACADEMY BOOKINGS
  • THE TEAM
  • About

THE LEDGE OF SADNESS

Marta Moriarty is an artist and curator based in Madrid. ‘The Ledge of Sadness’, is a Long Minute that plays with time, language, and presence.

In Moriarty’s words: “It is home-made, just me, late at night, on the back stairway to our flat in Madrid. My cell phone camera perched on a kitchen stool on the tiny stair landing, I switch on the countdown for 10 seconds and begin, I’m running up and down the stairs like a crazy person, again and again. I love doing it, the repetition, the text soaking into me, the effort of my untrained body, the bare loneliness in the bare stairway, the cold light, the silence of the city, as it has been for the past two months, my husband sleeping upstairs and safe.

This is my text which I recite in Spanish:

Juego en el alero de la tristeza
Donde mirar hacia el fondo es tan doloroso que me hace reír.
Rutinas contra el olvido
Lejía contra el miedo,
Amor frente a tu letal vacío.
Y la esperanza de que aún en la derrota no saldré vencida
Porque la alegría seguirá conmigo.

And my english translation:

I play on the ledge of sadness
Where looking at the bottom is so painful that it makes me laugh
Routines against oblivion
Bleach against fear
Love facing your lethal void.
And the hope that even in defeat I will not be defeated
for joy will stand by me.”

Concept & Performance | Marta Moriarty
Curator of The Long Minute | Bronwyn Lace