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The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • WHAT'S ON AT THE CENTRE | APRIL - MAY 2025
  • AT THE CENTRE
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS
  • SO Academy
    • ABOUT
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 - 2025)
    • IN CONVERSATION ARCHIVE (2017 – 2024)
    • HOW | Showing the Making (2022 - 2024)
    • THE OPEN MOMENT
    • DR JAMES BARRY WORKSHOPS (2024)
    • THE HEAD & THE LOAD | ACTIVATIONS (2023)
    • MOTLHANA KALANA INCUBATOR (2023)
    • A GATHERING IN A BETTER WORLD (2023)
    • The Centre of Somewhere (2022 - 2023)
    • 2ndary REVISIONS (2022)
    • WOVEN WITH BROWN THREAD (2021)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Season Archive
    • SEASON 10 | OCTOBER 2023
    • SEASON 09 | October 2022
    • SEASON 08 | October 2021
    • Season 07 | April 2020 / September 2021
    • Season 06 | October 2019
    • Season 05 | April 2019
    • Season 04 | October 2018
    • Season 03 | April 2018
    • Season 02 | October 2017
    • Season 01 | March 2017
  • Tickets
  • SO | ACADEMY BOOKINGS
  • THE TEAM
  • About

Thabang | P2

Thabang

A cold, blue light washes over the stage, illuminating a lone figure and setting the tone for Programme 2’s opening performance.

Written by Katleho "Katt" Sekhosana and performed by Princess Tshabangu and Sekhosana, Thabang is a solid and emotive work. Sekhosana moves about the stage through long, languorous and somewhat restrained movements, offset by Tshabangu’s vocals which, manipulated ever so slightly with a reverb effect, oscillate between low grunts and shrill cries. The effect of these two on stage is disquieting before it is enthralling. When Sekhosana eventually speaks, it is like being broken out of a trance.

What follows is an internal monologue made public. Heritage, lineage, loneliness and longing are the palpable thoughts and emotions filling up the stage now, all communicated by Sekhosana’s distressed use of the body and voice, and Tshabangu’s quiet, but steadfast presence throughout – both as a conflicting voice and an accompanying thought.

Throughout it all, the presence of blue – sometimes desperate, other times feverish or flirting with the ethereal – is a vast emotional canvas in the capable hands of Tshabangu and Sekhosana.

WRITTEN BY | Katleho "Katt" Sekhosana
DRAMATURGY BY | Themba Mkhoma
PERFORMED BY | Katleho Sekhosana | Princess Tshabangu
MUSIC | Hamba by Katleho Sekhosana & Simphiwe Ntshingila

WRITER | Dave Mann
VIDEO ENGINEER & EDITOR | Noah Cohen
STILLS PHOTOGRAPHER | Nina Lieska