• AT THE CENTRE
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS
  • SO Academy
    • ABOUT
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 - 2025)
    • IN CONVERSATION ARCHIVE (2017 – 2024)
    • HOW | Showing the Making (2022 - 2024)
    • THE OPEN MOMENT
    • DR JAMES BARRY WORKSHOPS (2024)
    • THE HEAD & THE LOAD | ACTIVATIONS (2023)
    • MOTLHANA KALANA INCUBATOR (2023)
    • A GATHERING IN A BETTER WORLD (2023)
    • The Centre of Somewhere (2022 - 2023)
    • 2ndary REVISIONS (2022)
    • WOVEN WITH BROWN THREAD (2021)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
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    • 2020
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  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Season Archive
    • SEASON 10 | OCTOBER 2023
    • SEASON 09 | October 2022
    • SEASON 08 | October 2021
    • Season 07 | April 2020 / September 2021
    • Season 06 | October 2019
    • Season 05 | April 2019
    • Season 04 | October 2018
    • Season 03 | April 2018
    • Season 02 | October 2017
    • Season 01 | March 2017
  • Tickets
  • SO | ACADEMY BOOKINGS
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The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • AT THE CENTRE
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS
  • SO Academy
    • ABOUT
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 - 2025)
    • IN CONVERSATION ARCHIVE (2017 – 2024)
    • HOW | Showing the Making (2022 - 2024)
    • THE OPEN MOMENT
    • DR JAMES BARRY WORKSHOPS (2024)
    • THE HEAD & THE LOAD | ACTIVATIONS (2023)
    • MOTLHANA KALANA INCUBATOR (2023)
    • A GATHERING IN A BETTER WORLD (2023)
    • The Centre of Somewhere (2022 - 2023)
    • 2ndary REVISIONS (2022)
    • WOVEN WITH BROWN THREAD (2021)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Season Archive
    • SEASON 10 | OCTOBER 2023
    • SEASON 09 | October 2022
    • SEASON 08 | October 2021
    • Season 07 | April 2020 / September 2021
    • Season 06 | October 2019
    • Season 05 | April 2019
    • Season 04 | October 2018
    • Season 03 | April 2018
    • Season 02 | October 2017
    • Season 01 | March 2017
  • Tickets
  • SO | ACADEMY BOOKINGS
  • THE TEAM
  • About

 Sizindlebe | We Are Ears 

A collaborative moment of making that emerged out of the workshop process towards Season 9 of The Centre for the Less Good Idea, Sizindlebe is presented at Fondation Cartier as a series of proposals towards different ways of making work, collectively. 

Opening with the young pianist Maya Muratoglu echoing the names and intonations of her fellow performers, Sizindlebe is an ensemble performance of second translations that, through a series of performative vignettes, deals with the complexity and simultaneity of translation and naming. Through the input of visual artists, musicians, choreographers and dancers, the simultaneity of translation is given room to be explored and exploded.

Ultimately less about the overall performance, and more about the individual moments and revelations contained within it, Sizindlebe is a live discovery of some of the creative strategies and methodologies that emerge through a process of deep, collective listening. It is about an awareness of each other’s stories, histories and ways of living, borne from the simple and profound act of speaking one another’s names. 

Here, naming has an enduring power as a declarative statement of one's existence. Similarly, the absence or the swallowing of one’s own name becomes a powerful reflection on the ways in which people are silenced, muted and erased. Names are embodied and composed, inscribed into the space itself.

Over the course of three Proposals, Sizindlebe also becomes a performance demonstrating process, the evolution of ideas, impulses, and the act of working collaboratively in order to find the less good idea.

CREDITS |  Proposal 1

PIANIST | Maya Muratoglu
CHOREOGRAPHERS & DANCERS | Thulani Chauke, Betty Tchomanga, Teresa Phuti Mojela & Vusi Mdoyi
VOCALIST | Nhlanhla Mahlangu, Sbusiso Shozi, Anathi Conjwa, Dikeledi Modubu & Asanda Hanabe 
PERCUSSIONIST | Angelo Moustapha
PERFORMER | Omid Hashemi
VISUAL ARTISTS | Marcus Neustetter & Pélagie Gbaguidi
FOOTNOTERS | Bronwyn Lace & Athena Mazarakis 

CREDITS |  Proposal 2 

PIANIST | Maya Muratoglu
CHOREOGRAPHERS & DANCERS | Thulani Chauke, Betty Tchomanga, Teresa Phuti Mojela & Vusi Mdoyi 
VOCALISTS & MUSICIANS | Nhlanhla Mahlangu, Sbusiso Shozi, Anathi Conjwa, Dikeledi Modubu & Asanda Hanabe
PERCUSSIONIST | Angelo Moustapha
PERFORMER | Omid Hashemi
VISUAL ARTISTS | Marcus Neustetter & Pélagie Gbaguidi
FOOTNOTERS | Bronwyn Lace & Athena Mazarakis

CREDITS |  Proposal 3

PIANIST | Maya Muratoglu
CHOREOGRAPHERS & DANCERS | Thulani Chauke, Betty Tchomanga, Teresa Phuti Mojela & Vusi Mdoyi
LIVE ARRANGERS | Nhlanhla Mahlangu & Sbusiso Shozi
VOCALISTS & MUSICIANS | Nhlanhla Mahlangu, Sbusiso Shozi, Anathi Conjwa, Dikeledi Modubu & Asanda Hanabe
PERCUSSIONIST | Angelo Moustapha
PERFORMER | Omid Hashemi
VISUAL ARTISTS | Marcus Neustetter & Pélagie Gbaguidi
FOOTNOTERS | Bronwyn Lace & Athena Mazarakis 


All text by David Mann