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The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • AT THE CENTRE
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS
  • SO Academy
    • ABOUT
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 - 2025)
    • IN CONVERSATION ARCHIVE (2017 – 2024)
    • HOW | Showing the Making (2022 - 2024)
    • THE OPEN MOMENT
    • DR JAMES BARRY WORKSHOPS (2024)
    • THE HEAD & THE LOAD | ACTIVATIONS (2023)
    • MOTLHANA KALANA INCUBATOR (2023)
    • A GATHERING IN A BETTER WORLD (2023)
    • The Centre of Somewhere (2022 - 2023)
    • 2ndary REVISIONS (2022)
    • WOVEN WITH BROWN THREAD (2021)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Season Archive
    • SEASON 10 | OCTOBER 2023
    • SEASON 09 | October 2022
    • SEASON 08 | October 2021
    • Season 07 | April 2020 / September 2021
    • Season 06 | October 2019
    • Season 05 | April 2019
    • Season 04 | October 2018
    • Season 03 | April 2018
    • Season 02 | October 2017
    • Season 01 | March 2017
  • Tickets
  • SO | ACADEMY BOOKINGS
  • THE TEAM
  • About

SIZINDLEBE | WE ARE EARS

From names to musical notation, and textual refrains to free-flowing movement and gesture, Sizindlebe | We Are Ears is an ensemble performance of second translations that, through a series of performative vignettes, deals with the complexity and simultaneity of translation.

Directed by Season 9 co-curator Athena Mazarakis, Sizindlebe | We Are Ears can also be seen as the second of two ensemble works responding to the Season’s central provocation of translation, the first of which was Ezembewu | Of the Seeds.

In early 2022, during the first set of ideation workshops for Season 9 of The Centre for the Less Good Idea, the 15-year-old pitch-perfect pianist Maya Muratoglu began to collaborate with a fellow workshop participant, translating a name into a set of musical notes on the piano. What then emerged as an organic moment of collaboration and play now finds striking resonance on stage as a considered yet free-flowing ensemble work.

A similar musical composition serves as the opening moment of translation – the simple act of one’s fingers on the keys of the piano – and we are content to listen. The act soon becomes troubled. Voices surface from in and around the audience, softly spoken words in various languages, until a single voice emerges and enters into a conversation with the piano, drawing out the inherent musicality and meaning of a name.

Though the piano remains a constant, translations develop and multiply throughout. There is the translation of the body in motion, the conversation that spills over into a series of mistranslations, disagreements and arguments. Text is held in gesture and music simultaneously, and language emerges, disappears, and folds in on itself.

Here, the simultaneity of translation is given room to be explored and exploded. It is translation as well-choreographed cacophony, veering at times towards entropy, but returning always to rich pockets of complexity and meaning.

– David Mann

CREDITS:

PERFORMERS | Maya Muratoglu, Kamogelo Molobye, Indalo Stofile, Zimbini Makwetu, Muzi Shili, Sibahle Mangena, Khutjo Green, Xolisile Bongwana, Thulisile Binda, Bongile Gorata Lecoge-Zulu, Nava Derakhshani, Anathi Conjwa, Pule Welch & Thabo Rapoo
DIRECTOR | Athena Mazarakis