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The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • AT THE CENTRE
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS
  • SO Academy
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    • SO | PRACTICE & TÊTE-À-TÊTE
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    • IN CONVERSATION ARCHIVE (2017 – 2024)
    • HOW | Showing the Making (2022 - 2024)
    • THE OPEN MOMENT
    • DR JAMES BARRY WORKSHOPS (2024)
    • THE HEAD & THE LOAD | ACTIVATIONS (2023)
    • MOTLHANA KALANA INCUBATOR (2023)
    • A GATHERING IN A BETTER WORLD (2023)
    • The Centre of Somewhere (2022 - 2023)
    • 2ndary REVISIONS (2022)
    • WOVEN WITH BROWN THREAD (2021)
  • THE CENTRE OUTSIDE THE CENTRE
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    • CFLGI x FONDATION CARTIER (2024)
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    • 2019
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    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
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    • SEASON 10 | OCTOBER 2023
    • SEASON 09 | October 2022
    • SEASON 08 | October 2021
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    • Season 06 | October 2019
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    • Season 04 | October 2018
    • Season 03 | April 2018
    • Season 02 | October 2017
    • Season 01 | March 2017
  • Tickets
  • SO | ACADEMY BOOKINGS
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Ilze testing ideas

Ilze Wolff testing ideas collaboratively in Season 4 workshops

Ilze will perform Vi die wat wil wiet / for those who need knowing in the Season

Physical collaborations on the piece come in the form of musicologist Cara Stacey with whom Wolff has co-composed a musical soundscape taken from film and audio footage gathered as part of research interventions and archival documentation. Theatre-maker Francesco Nassimbeni, contributed in the form of collaboration with drawings and in a visual response to Wolff’s research and visual style, adding to the piece’s overarching theme of lightness and darkness

While Vi die wat wil wiet / for those who need knowing presents itself in the form of a lecture, various anecdotal and eccentric elements, as well as the production of the accompanying pumflet give the piece its true shape, allowing for Wolff’s research to reach audiences in varying degrees of interpretation.

COLLABORATORS | Amie Soudien (co-researcher and publication contributor), Cara Stacey (musician and composer), Francesco Nassimbeni (theatre consultant)
ASSOCIATED INSTITUTIONS | Wolff Architects and UWC Centre for Humanities Research

WRITING | Dave Mann
PHOTOGRAPHER | Zavanai Matangi

Ilze testing ideas