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The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • WHAT'S ON AT THE CENTRE | APRIL - MAY 2025
  • AT THE CENTRE
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS
  • SO Academy
    • ABOUT
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 - 2025)
    • IN CONVERSATION ARCHIVE (2017 – 2024)
    • HOW | Showing the Making (2022 - 2024)
    • THE OPEN MOMENT
    • DR JAMES BARRY WORKSHOPS (2024)
    • THE HEAD & THE LOAD | ACTIVATIONS (2023)
    • MOTLHANA KALANA INCUBATOR (2023)
    • A GATHERING IN A BETTER WORLD (2023)
    • The Centre of Somewhere (2022 - 2023)
    • 2ndary REVISIONS (2022)
    • WOVEN WITH BROWN THREAD (2021)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Season Archive
    • SEASON 10 | OCTOBER 2023
    • SEASON 09 | October 2022
    • SEASON 08 | October 2021
    • Season 07 | April 2020 / September 2021
    • Season 06 | October 2019
    • Season 05 | April 2019
    • Season 04 | October 2018
    • Season 03 | April 2018
    • Season 02 | October 2017
    • Season 01 | March 2017
  • Tickets
  • SO | ACADEMY BOOKINGS
  • THE TEAM
  • About

HARD BUT FRAGILE

Hard But Fragile is a work that seeks to find power in brokenness. The sjambok (whip) is used as a tool for instruction, musicality, and performance.

There are three of them – the whips – wielded by two performers. Through these laden optics, there is the constant threat of violence, although it does not emerge, held instead in memory and expectation. The performers, Micca Manganye and Thulisile Binda, engage in a physical dialogue, their engagements short and sharp like the crack of a whip. Outfitted in costumes of brittle, crinkling paper, they flit and shake about the stage like dry leaves.

A sonic swell emerges, the sound of whips cutting through the air and slapping against the stage. When they encounter the body, it is not with force. Rather, they function as tools for performance – loaded metaphors wielded with shrewd physicality. In the hands of Binda, specifically, the sjambok becomes a taut spine, a snare, a tightened bow, even a noose.

Together, the performers duel and converse, developing a duet of raw physicality and incidental musicality that is equal parts severe and poetic.

– David Mann

CREDITS:

CONCEPTUALISER & CHOREOGRAPHER | Thulisile Binda
PERFORMERS | Thulisile Binda & Micca Manganye
MUSICIAN | Micca Manganye