Ritual, shame, and betrayal are some of the themes that are channeled through Ga Re Lebala: When We For(get). It is a simple and impactful performance that unpacks how connection is not something we give or get, rather, it is something that we must nurture and grow.

Two characters occupy an otherwise empty stage. The one wears only a shirt and shorts (Katlego Kaygee Letsholonyane), while the other is draped in jackets, shirts, shawls, glasses and more.

Letsholonyane feels he is lacking. He bows, prays, and seeks blessings. Rapoo, who stands atop a plinth, is hesitant. He regards him with suspicion, but ultimately yields. An exchange occurs – the giving of clothing – and the premise becomes clear. A relationship is established.

Letsholonyane bounds about the stage, trying on his new item of clothing. The novelty wears off, he wants more. Again, the humble request, the gifting of another item of clothing, this time a jacket which is worn proudly. The relationship continues in this way for some time, and with each new piece of clothing, Letsholonyane grows increasingly arrogant, petulant, and ungrateful. Now, he does not so much request his blessings, but rather expects them, demands them. All the while, Rapoo gives and gives, losing clothing, gaining nothing in return.

A harmonica sounds out from offstage and a third character emerges (Micca Manganye). He has come to collect Rapoo. The two leave the scene, slowly enough for Letsholonyane’s guilt and remorse to take hold. He agonises, pleads, strips himself bare. It is too late.

– David Mann

CREDITS:

CONCEPTUALISERS | Katlego KayGee Letsholonyane & Thabo Rapoo
DIRECTOR | Phala O. Phala
MUSICIAN | Micca Manganye
PERFORMERS | Katlego KayGee Letsholonyane, Thabo Rapoo & Micca Manganye