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The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • WHAT'S ON AT THE CENTRE | APRIL - MAY 2025
  • AT THE CENTRE
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS
  • SO Academy
    • ABOUT
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 - 2025)
    • IN CONVERSATION ARCHIVE (2017 – 2024)
    • HOW | Showing the Making (2022 - 2024)
    • THE OPEN MOMENT
    • DR JAMES BARRY WORKSHOPS (2024)
    • THE HEAD & THE LOAD | ACTIVATIONS (2023)
    • MOTLHANA KALANA INCUBATOR (2023)
    • A GATHERING IN A BETTER WORLD (2023)
    • The Centre of Somewhere (2022 - 2023)
    • 2ndary REVISIONS (2022)
    • WOVEN WITH BROWN THREAD (2021)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Season Archive
    • SEASON 10 | OCTOBER 2023
    • SEASON 09 | October 2022
    • SEASON 08 | October 2021
    • Season 07 | April 2020 / September 2021
    • Season 06 | October 2019
    • Season 05 | April 2019
    • Season 04 | October 2018
    • Season 03 | April 2018
    • Season 02 | October 2017
    • Season 01 | March 2017
  • Tickets
  • SO | ACADEMY BOOKINGS
  • THE TEAM
  • About

FEBRUARY 2021 | FOR ONCE | UHAMBO, IMIZWA NOMSINDO!

Uhambo, Imizwa Nomsindo! is a musical and physical exploration into spirituality through song.

Conceptualised and directed by Sibusiso Shozi for The Centre for the Less Good Idea in March 2021, and performed by Dikeledi Modubu, Musa Mboweni, Freedom Mswane, Volley Nchabeleng, Micca Manganye, and Shozi, the performance employs varying interpretations of music and song through embodied performance and physicality as lived experience and culture.

While Uhambo, Imiza Nomsindo! (loosely translated as Journey, Emotions, and Sound or Noise) is chiefly an attempt at tracing the journey of sound across cultures, genres, languages, and geographies, it also takes the shape of an experimental, metaphysical journey. Structurally, this is told through the slow layering of sound and music – the gradual introduction of music, vocals, and later, the chorus – while interludes come in the form of whispers, pauses, and more ponderous moments, allowing for a marked transition into the next genre, emotion, and site of performance. Thematically, the cast traverse the vast terrains of joy, madness, innocence, abstraction, logic and more through sound and movement alike.

Though much of the complex and far-reaching refrains in Uhambo, Imiza Nomsindo! are held and communicated through its cast, the use of minimal set design and choice props provides its performers with the space and tools required to bring the work’s journey to life. Brooms serve practical and musical functions in equal measure, while hats become baskets, bowls, masks and more, allowing for rich moments of play and interpretation.

For all of Uhambo, Imiza Nomsindo!’s free-spirited performance, play, and instrumentation, a sober conceptual underpinning reminds us that “this is not child’s play, it’s deeper than it looks.” It is this balance of performance and instrumentation, play and labour, and tangible and intangible forms of language that propels the performance through its immense and compelling journey.

– David Mann

CREDITS:

CONCEPTUALISER & DIRECTOR | Sbusiso Shozi
VOCALISTS | Sbusiso Shozi, Dikeledi Modubu, Musa Mboweni & Freedom Mswane
PERCUSSIONISTS | Volley Nchabeleng & Micca Manganye