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The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • AT THE CENTRE
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS
  • SO Academy
    • ABOUT
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 - 2025)
    • IN CONVERSATION ARCHIVE (2017 – 2024)
    • HOW | Showing the Making (2022 - 2024)
    • THE OPEN MOMENT
    • DR JAMES BARRY WORKSHOPS (2024)
    • THE HEAD & THE LOAD | ACTIVATIONS (2023)
    • MOTLHANA KALANA INCUBATOR (2023)
    • A GATHERING IN A BETTER WORLD (2023)
    • The Centre of Somewhere (2022 - 2023)
    • 2ndary REVISIONS (2022)
    • WOVEN WITH BROWN THREAD (2021)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Season Archive
    • SEASON 10 | OCTOBER 2023
    • SEASON 09 | October 2022
    • SEASON 08 | October 2021
    • Season 07 | April 2020 / September 2021
    • Season 06 | October 2019
    • Season 05 | April 2019
    • Season 04 | October 2018
    • Season 03 | April 2018
    • Season 02 | October 2017
    • Season 01 | March 2017
  • Tickets
  • SO | ACADEMY BOOKINGS
  • THE TEAM
  • About

Escape | P4

Escape

A theatrical warscape opens Programme 4 of The Centre for the Less Good Idea’s 5th Season.

Conceptualised and performed by Mdu Nhlapo, Escape is a play about oppression, struggle, and sacrifice. Nhlapo, who switches between the roles of dictator and freedom fighter with ease, showcases both his tremendous physical ability as well as his penchant for character-based performance across these 11 minutes.

Escape is a harrowing bit of theatre. It is full of chaos, fury, and loss. The sound of gunfire, explosives and helicopter blades make a battlefield out of a stage and Nhlapo’s traverses it with a charged and dynamic choreography.

Here and there, tender, sobering scenes remind us of the cost of war – physical, psychological or otherwise. Like the sobering moment when the freedom fighter gently and methodically scoops up the ‘bodies’ of his contemporaries and lays them down on the ground, away from the chaos.

Once the dust has settled and the gunfire has ceased we are left only with Nhlapo, arm outstretched and hands wrapped around his weapon as if to say: The struggle continues, for better or worse.

CONCEPTUALISED AND PERFORMED BY | Mdu Nhlapo
SOUND DESIGN BY | Wilf Mahne
MUSIC | The Mass by ERA and TheProtagonist by Dead Can Dance

WRITER | Dave Mann
VIDEO ENGINEER & EDITOR | Noah Cohen
STILLS PHOTOGRAPHER | Nina Lieska