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The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • AT THE CENTRE
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS
  • SO Academy
    • ABOUT
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 - 2025)
    • IN CONVERSATION ARCHIVE (2017 – 2024)
    • HOW | Showing the Making (2022 - 2024)
    • THE OPEN MOMENT
    • DR JAMES BARRY WORKSHOPS (2024)
    • THE HEAD & THE LOAD | ACTIVATIONS (2023)
    • MOTLHANA KALANA INCUBATOR (2023)
    • A GATHERING IN A BETTER WORLD (2023)
    • The Centre of Somewhere (2022 - 2023)
    • 2ndary REVISIONS (2022)
    • WOVEN WITH BROWN THREAD (2021)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Season Archive
    • SEASON 10 | OCTOBER 2023
    • SEASON 09 | October 2022
    • SEASON 08 | October 2021
    • Season 07 | April 2020 / September 2021
    • Season 06 | October 2019
    • Season 05 | April 2019
    • Season 04 | October 2018
    • Season 03 | April 2018
    • Season 02 | October 2017
    • Season 01 | March 2017
  • Tickets
  • SO | ACADEMY BOOKINGS
  • THE TEAM
  • About

Eribuweni Ra Lwandle | On the Shoreline

What happens when a story emerges as a recurring dream and asks to be told, not in the voice of the performer but in the voices of those who appear in the dream, begging to be heard?

Sand is strewn across the stage, transforming it into a surreal and secluded shoreline. Brittle statues are evoked, dotting the landscape like stubborn markers of history. Various objects are strewn about – the detritus of a shipwrecked mind or the fragments of memory – and a solitary figure traverses the landscape.

Eribuweni Ra Lwandle | On the Shoreline, conceptualised by Tony Miyambo and Phala Ookeditse Phala, with movement direction by Thulani Chauke, combines object theatre, performance, and trance-like movement patterns to tell a story born from a recurring dream full of fragments.

Traversing the historical landscapes of slavery, colonisation and apartheid – landscapes full of the unseen, the unrecognised, the unheard, and the undocumented – the work finds its meaning through the absences, the missing pieces, the spirits of the dead, and the untold truths.

History, like a dream, is a patchy palimpsest. Always erratic, abundant with sparse information, and full of the unseen, the unheard, the undocumented. It is this fragmentary cacophony from which the play derives its meaning: the missing, the ghosts of the dead, the untold truths, those pushed to the margins of history and rendered invisible.

Rich in text and led by short, considered moments of movement, Eribuweni Ra Lwandle is a profound, immersive prose poem for the stage. It is both a memorialisation and a mourning – an enduring attempt at recognising and remembering.

CONCEPTUALISERS | Phala Ookeditse Phala & Tony Miyambo
DIRECTOR | Phala Ookeditse Phala
MOVEMENT DIRECTOR | Thulani Chauke
PERFORMER | Tony Miyambo
RECORDED MUSIC | Micca Manganye, Simphiwe Skhakhane, Tshepang Mofokeng, Phala Ookeditse Phala & Lindokuhle Thabede
CO-PRODUCED BY | Noma Yini (Pty) Ltd, The Center for the Less Good Idea & SPIELART Theatre Festival

— David Mann

PHOTOGRAPHER | Zivanai Matangi