• WHAT'S ON AT THE CENTRE | APRIL - MAY 2025
  • AT THE CENTRE
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS
  • SO Academy
    • ABOUT
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 - 2025)
    • IN CONVERSATION ARCHIVE (2017 – 2024)
    • HOW | Showing the Making (2022 - 2024)
    • THE OPEN MOMENT
    • DR JAMES BARRY WORKSHOPS (2024)
    • THE HEAD & THE LOAD | ACTIVATIONS (2023)
    • MOTLHANA KALANA INCUBATOR (2023)
    • A GATHERING IN A BETTER WORLD (2023)
    • The Centre of Somewhere (2022 - 2023)
    • 2ndary REVISIONS (2022)
    • WOVEN WITH BROWN THREAD (2021)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Season Archive
    • SEASON 10 | OCTOBER 2023
    • SEASON 09 | October 2022
    • SEASON 08 | October 2021
    • Season 07 | April 2020 / September 2021
    • Season 06 | October 2019
    • Season 05 | April 2019
    • Season 04 | October 2018
    • Season 03 | April 2018
    • Season 02 | October 2017
    • Season 01 | March 2017
  • Tickets
  • SO | ACADEMY BOOKINGS
  • THE TEAM
  • About

The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • WHAT'S ON AT THE CENTRE | APRIL - MAY 2025
  • AT THE CENTRE
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS
  • SO Academy
    • ABOUT
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 - 2025)
    • IN CONVERSATION ARCHIVE (2017 – 2024)
    • HOW | Showing the Making (2022 - 2024)
    • THE OPEN MOMENT
    • DR JAMES BARRY WORKSHOPS (2024)
    • THE HEAD & THE LOAD | ACTIVATIONS (2023)
    • MOTLHANA KALANA INCUBATOR (2023)
    • A GATHERING IN A BETTER WORLD (2023)
    • The Centre of Somewhere (2022 - 2023)
    • 2ndary REVISIONS (2022)
    • WOVEN WITH BROWN THREAD (2021)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Season Archive
    • SEASON 10 | OCTOBER 2023
    • SEASON 09 | October 2022
    • SEASON 08 | October 2021
    • Season 07 | April 2020 / September 2021
    • Season 06 | October 2019
    • Season 05 | April 2019
    • Season 04 | October 2018
    • Season 03 | April 2018
    • Season 02 | October 2017
    • Season 01 | March 2017
  • Tickets
  • SO | ACADEMY BOOKINGS
  • THE TEAM
  • About

VIDEO COUNTDOWN 6/6

See extracts for upcoming performances hosted in the William Kentridge studio at Arts on Main over the course of the Season.

URSONATE
Performed by Willliam Kentridge 
Running Time: 60mins

William Kentridge’s Ursonate is, essentially, a lecture about music and language, in four parts.

Date | 17 October at 8:30pm 
_____

COLLAPSED CONCERT
Performed by Kyle Shepherd and Jill Richards
Running Time: 60mins

This Piano programme is, in some senses, a lecture through the means of performance. Richards, who is a great interpreter of the Western tradition – from Classical through Romantics and Modernists – will perform Pierre Boulez’s Piano Sonata No. 2. A notoriously difficult piece to perform.

This interpretation will be followed by a counter-example – Shepherd’s own Jazz composition. Shepherd’s work will make use of spoken, non-musical, and other aural recordings that both exemplify and challenge his profound history of engagement with the piano.

Date | 18 October at 8:30pm 
_____

DON'T TRUST THE BORDER
Director | Jessica Nupen
Collaborators | Dramaturgy: Phala Ookeditse Phala, Dancers: Themba Mbuli, Thulani Chauke, Jessica Nupen, Lorin Sokol, Thamsanqa Masoka, Olivia Papoli Barawati, Eugene Mashiane, Visual Artist: Peter Mammes, Music Composition: Luca Hinrichs & Lucinee Der KaraPetian, Costume & Prop Design: Joel Janse Van Vuuren, Light & Set: Wilhelm Disbergen, Film & Illustration: Leila El-Kayem, Production Management: Fanny Roy, PR and Marketing: Ulrike Steffel / Kampnage, Photography: Tanya Hall

Associate institutions | Centre for the Less Good Idea, Film recording and post-production: Freeeye-TV, Kampnagel, Lufthansa, Hamburg, Universitat Hamburg, Embassy of the Federal Republic of Germany, Moving Into Dance Mophatong and Mantombaz Foundation
Running Time: 60mins

Jessica Nupen’s Dance ensemble work Don’t Trust the Border uses bodies in order to investigate and explore the circumstances of migrancy, relocation, exile; longing and belonging.

Date | 19 October at 8:30pm & 20 October at 12pm
_____

BLACK PRIVILEGE
Performed by @Mamela Nyamza
Running Time: 50mins

Mamela Nyamza, easily one of the most active and skilled artists in the realms of dance and physical theatre in the country, brings her solo dance piece, Black Privilege to Season 4 of The Centre for the Less Good Idea.

Director and performer | Mamela Nyamza

Collaborators | Sello Pesa | Lighting & Stage Designer: Wilhelm Disbergen, Body Paint Artist & Costume Designer: Linda Mandela-Sejosingoe, and Production Manager: Buntu Tyali

Date | 21 October at 4pm 
_____

SEASON 4 CURATOR | Jane Taylor
ANIMATEUR FOR THE CENTRE | Bronwyn Lace
CINEMATOGRAPHY AND EDITING | Noah Cohen
PROJECT MANAGER | Shruthi Nair
LIGHTING | Wesley France and Guy Nelson
SOUND | SoulFire Studios and Zain Vally
STAGE MANAGEMENT | Hayleigh Evans and PopArt Productions
WRITING | Dave Mann