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The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • WHAT'S ON AT THE CENTRE | APRIL - MAY 2025
  • AT THE CENTRE
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS
  • SO Academy
    • ABOUT
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 - 2025)
    • IN CONVERSATION ARCHIVE (2017 – 2024)
    • HOW | Showing the Making (2022 - 2024)
    • THE OPEN MOMENT
    • DR JAMES BARRY WORKSHOPS (2024)
    • THE HEAD & THE LOAD | ACTIVATIONS (2023)
    • MOTLHANA KALANA INCUBATOR (2023)
    • A GATHERING IN A BETTER WORLD (2023)
    • The Centre of Somewhere (2022 - 2023)
    • 2ndary REVISIONS (2022)
    • WOVEN WITH BROWN THREAD (2021)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Season Archive
    • SEASON 10 | OCTOBER 2023
    • SEASON 09 | October 2022
    • SEASON 08 | October 2021
    • Season 07 | April 2020 / September 2021
    • Season 06 | October 2019
    • Season 05 | April 2019
    • Season 04 | October 2018
    • Season 03 | April 2018
    • Season 02 | October 2017
    • Season 01 | March 2017
  • Tickets
  • SO | ACADEMY BOOKINGS
  • THE TEAM
  • About

BOLOBEDU

Bolobedu is an intimate two-hander by Ayanda Seoka and Thabo Rapoo that, at its core, interrogates themes of erasure, voicelessness, breathlessness, refusal, and morality.

This is a work inspired by the story of Modjaji, the rain queen often forgotten or erased from history. In Bolobedu, she is remembered and revived through performance. She arrives in a flurry, collapsing onto the stage. Towards the back of the room, there is a drumming which she both invokes and responds to. She calls upon it and she is bound by it. A conversation between body and instrument emerges. It is invocation and instruction, at once breathless and rhythmic.

Throughout this laboured, procedural call and response, Modjaji is a husk of herself. Her breath is laboured and painful. The two meet and begin to populate the stage with grains of rice. It is an engaging scene, equally evocative of a barren landscape and the welcome sound of rain.

Finally, the sky breaks open and rain begins to fall. It is a scene of sustenance and revival, and one that speaks to the impetus of the work – the act of remembering and honouring those ancestral figures, and the growth and nourishment that follows.

– David Mann

CREDITS:

CONCEPTUALISER | Ayanda Seoka
DIRECTOR | Phala O. Phala
PERFORMERS | Ayanda Seoka & Thabo Rapoo