• CALL FOR APPLICATIONS | ASSISTANT CURATOR
  • AT THE CENTRE
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    • COLLATION 5 | BETWEEN GHOSTS & SHADOWS (2026)
    • COLLATION 4 | THE MASKANDALIFICATION OF OPERA (2026)
    • COLLATION 3 | THE UNEXPECTED CITY (2025)
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS (2024)
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS (2024)
    • SEASON ARCHIVE (2017 - 2025)
  • SO Academy
    • ABOUT
    • SO | ACADEMY BOOKINGS
    • TÊTE-À-TÊTE | ARTISTS TO PRODUCERS (2026)
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 – 2026)
    • IN CONVERSATION (2017 – 2025)
    • HOW | Showing the Making (2022 – 2026)
    • THE OPEN MOMENT (2024 – 2026)
    • SO ACADEMY ARCHIVE (2021 – 2024)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2026
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
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  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Tickets
  • THE TEAM
  • FRIENDS OF THE LESS GOOD IDEA
  • About

The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • CALL FOR APPLICATIONS | ASSISTANT CURATOR
  • AT THE CENTRE
    • ABOUT
    • COLLATION 5 | BETWEEN GHOSTS & SHADOWS (2026)
    • COLLATION 4 | THE MASKANDALIFICATION OF OPERA (2026)
    • COLLATION 3 | THE UNEXPECTED CITY (2025)
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS (2024)
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS (2024)
    • SEASON ARCHIVE (2017 - 2025)
  • SO Academy
    • ABOUT
    • SO | ACADEMY BOOKINGS
    • TÊTE-À-TÊTE | ARTISTS TO PRODUCERS (2026)
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 – 2026)
    • IN CONVERSATION (2017 – 2025)
    • HOW | Showing the Making (2022 – 2026)
    • THE OPEN MOMENT (2024 – 2026)
    • SO ACADEMY ARCHIVE (2021 – 2024)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2026
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Tickets
  • THE TEAM
  • FRIENDS OF THE LESS GOOD IDEA
  • About

MOMENTS. FRAGMENTS. FRAGMENTED MOMENTS

Chelsea Selvan is a Johannesburg-based visual artist who spent Season 5 interning at The Centre for the Less Good Idea.

In the artist’s words: “My process of creation is often triggered through the recollection of memories – creating an intricate collage of the space, objects and moments that one engages with on a daily basis. During lockdown, my art making has gone through many moments: exploring ideas and thoughts, experimenting, stagnation, lack of inspiration, laziness and self doubt to a somewhat confident trust and flow. My natural instinct is to work in collage. Give me an old magazine or newspaper and my intuition takes over and I begin tearing up pieces and placing them carefully yet spontaneously with little thought but at the same time a lot of thought or, rather; a deep inner knowing of where the bits and pieces belong. I find this process is the only time when I am not thinking too much or analyzing and then over-analyzing everything around me. I sometimes envy those who seem to sail through life without considering and pulling everything to pieces. Yet, Socrates’ words about the unexamined life not being worth living are something I truly believe.

During lockdown I’ve been working with the concept of ‘things I see but rarely notice’ as a springboard to spark the beginning of my making – hence the chair in this collage. This time in lockdown has forced me to truly notice the so-called mundane objects we encounter but don’t fully see. I have taken snippets of words and sentences from my journaling and play with that in this stop motion as a way to hint at things I am feeling.”

Concept & Creation | Chelsea Selvan
Curator of The Long Minute | Bronwyn Lace