• CALL FOR APPLICATIONS | ASSISTANT CURATOR
  • AT THE CENTRE
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    • COLLATION 5 | BETWEEN GHOSTS & SHADOWS (2026)
    • COLLATION 4 | THE MASKANDALIFICATION OF OPERA (2026)
    • COLLATION 3 | THE UNEXPECTED CITY (2025)
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS (2024)
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS (2024)
    • SEASON ARCHIVE (2017 - 2025)
  • SO Academy
    • ABOUT
    • SO | ACADEMY BOOKINGS
    • TÊTE-À-TÊTE | ARTISTS TO PRODUCERS (2026)
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 – 2026)
    • IN CONVERSATION (2017 – 2025)
    • HOW | Showing the Making (2022 – 2026)
    • THE OPEN MOMENT (2024 – 2026)
    • SO ACADEMY ARCHIVE (2021 – 2024)
  • THE CENTRE OUTSIDE THE CENTRE
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    • 2026
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    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
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  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Tickets
  • THE TEAM
  • FRIENDS OF THE LESS GOOD IDEA
  • About

The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • CALL FOR APPLICATIONS | ASSISTANT CURATOR
  • AT THE CENTRE
    • ABOUT
    • COLLATION 5 | BETWEEN GHOSTS & SHADOWS (2026)
    • COLLATION 4 | THE MASKANDALIFICATION OF OPERA (2026)
    • COLLATION 3 | THE UNEXPECTED CITY (2025)
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS (2024)
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS (2024)
    • SEASON ARCHIVE (2017 - 2025)
  • SO Academy
    • ABOUT
    • SO | ACADEMY BOOKINGS
    • TÊTE-À-TÊTE | ARTISTS TO PRODUCERS (2026)
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 – 2026)
    • IN CONVERSATION (2017 – 2025)
    • HOW | Showing the Making (2022 – 2026)
    • THE OPEN MOMENT (2024 – 2026)
    • SO ACADEMY ARCHIVE (2021 – 2024)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2026
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Tickets
  • THE TEAM
  • FRIENDS OF THE LESS GOOD IDEA
  • About

METAMORPHOSIS

Frederico Pratas is a Portuguese visual artist as well as a resident artist at MART in Lisbon.

This Long Minute is the second of three by the artist.

In Pratas’ words: “My practice is painting, during confinement I created a series of slow motion videos in which I have appropriated works of well-known painters, Von Stuck, Renoir, Moreau, Matisse, Friedrich, Manet, Waterhouse, Courbet, Cranach the Elder to name a few. I then mixed these paintings with photographs of my authorship. The end result is a different thing, although the painted human figures are recognisable – the landscapes are not. The overall results are “new paintings” in motion. I am not a musician and do not play an instrument, except very deficiently, a guitar. For these I created, composed and actually played the sound through an app called GarageBand. Making these videos has created a way of thinking through painting, a side activity which feeds me and my processes.

“’Metamorphosis’ is a new story about initiation. The feminine figure was taken from a Cranach the Elder painting, the landscapes are indecipherable combinations of photographs taken by Pratas and paintings from Courbet and Constable.”

Concept & Creation | Frederico Pratas
Curator of The Long Minute | Bronwyn Lace