• CALL FOR APPLICATIONS | ASSISTANT CURATOR
  • AT THE CENTRE
    • ABOUT
    • COLLATION 5 | BETWEEN GHOSTS & SHADOWS (2026)
    • COLLATION 4 | THE MASKANDALIFICATION OF OPERA (2026)
    • COLLATION 3 | THE UNEXPECTED CITY (2025)
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS (2024)
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS (2024)
    • SEASON ARCHIVE (2017 - 2025)
  • SO Academy
    • ABOUT
    • SO | ACADEMY BOOKINGS
    • TÊTE-À-TÊTE | ARTISTS TO PRODUCERS (2026)
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 – 2026)
    • IN CONVERSATION (2017 – 2025)
    • HOW | Showing the Making (2022 – 2026)
    • THE OPEN MOMENT (2024 – 2026)
    • SO ACADEMY ARCHIVE (2021 – 2024)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2026
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Tickets
  • THE TEAM
  • FRIENDS OF THE LESS GOOD IDEA
  • About

The Centre for the Less Good Idea is an interdisciplinary incubator space for the arts based in Maboneng, Johannesburg

  • CALL FOR APPLICATIONS | ASSISTANT CURATOR
  • AT THE CENTRE
    • ABOUT
    • COLLATION 5 | BETWEEN GHOSTS & SHADOWS (2026)
    • COLLATION 4 | THE MASKANDALIFICATION OF OPERA (2026)
    • COLLATION 3 | THE UNEXPECTED CITY (2025)
    • COLLATION 2 | SOUNDING PICTURES: LIVE SCORES TO SHORT SILENT FILMS (2024)
    • COLLATION 1 | ON AIR: VISUAL RADIO PLAYS (2024)
    • SEASON ARCHIVE (2017 - 2025)
  • SO Academy
    • ABOUT
    • SO | ACADEMY BOOKINGS
    • TÊTE-À-TÊTE | ARTISTS TO PRODUCERS (2026)
    • SO | PRACTICE & TÊTE-À-TÊTE
    • THINKING IN (2020 – 2026)
    • IN CONVERSATION (2017 – 2025)
    • HOW | Showing the Making (2022 – 2026)
    • THE OPEN MOMENT (2024 – 2026)
    • SO ACADEMY ARCHIVE (2021 – 2024)
  • THE CENTRE OUTSIDE THE CENTRE
    • ABOUT
    • 2026
    • 2025
    • CFLGI x FONDATION CARTIER (2024)
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • FOR ONCE
    • ABOUT
    • FOR ONCE ARCHIVE (2017 - 2024)
    • A KAFKA MOMENT (2021)
    • A CONSIDERED 3 MINUTES (2020/2021)
    • THE POETRY MINUTE (2021)
    • A GODOT MOMENT (2020)
    • ODD PORTRAITS OF THIS PLACE (2021)
    • THE HIGHWAY NOTICE PROJECT (2020/2021)
    • THE LONG MINUTE (2020)
  • Tickets
  • THE TEAM
  • FRIENDS OF THE LESS GOOD IDEA
  • About

ME AND A PRINCE OF SERENDIP

Ann Gollifer is a visual artist whose practice includes painting, print-making, writing, and photography.

In the artist’s words: “A Prince of Serendip gate crashed the making of my video for The Long Minute. He stole the show. I sought revenge and painted his skull to wear as a mask.

I decided to make a video showing my process. It is physical as I use my body to form a graphite frame upon paper into which I pour the paint. I know what I am going to do but I never know what will happen as the paper bends and the paint dries. During this lockdown period I had only my own body to work with as I continued with my current series of paintings called ‘The Archaeology of love.’ I use earth pigments mixed into gum Arabic to make watercolours that reference our ancient relationship with the ochres, forming pathways from present to past. I am in search of sentient beings, excavating ancestors. The baboon’s intervention offered me that lucky coincidence that turns the mundane upside down to reveal something magical, a new and unexpected image. Serendipity.”

Concept & Creation | Ann Gollifer
Sound | Recordings made while workshopping toward Season 7 with Micca Manganye, Volley Nchabeleng & Vusi Mdoyi
Video Editor | Noah Cohen
Curator of The Long Minute | Bronwyn Lace